Individual members of a named ensemble should not also be listed as primary but can be listed as a non-primary performer. If the album contains a collection of artists assembled only for the purposes of one particular album, each individual artist must be credited at the album and track level with the Performer role and marked Primary.
Use of Composer Role. If there are four or more composers listed on the album, the album-level composer should be Various Composers. At least one composer should be provided at the track level and all composers that appear on the album must be listed at the album level.
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Unknown Composers. If the album contains selections of unknown authorship, such as a folk song or Gregorian chant, use Anonymous or Traditional as the composer. Misuse of Composer Role. Librettists, Lyricists, or arrangers should not be assigned the Composer role. Composer as Primary.
Composers may never be marked as Primary unless they are also performing as the soloist, accompanist or conductor. Various Composers. If there are four or more composers on the album, the album-level composer should be Various Composers. Do not list more than three composers at the album level. Do not use Various Composers for one-track singles or if there is only one composer on an album. If an album has an exact release title, such as The Most Beloved Classical Masterworks, that title may be used.
Recording Dates. If a track features a movement or selection from a larger work like a symphony or concerto, begin the track title with the name of the larger work. This applies even if a track contains a portion of a movement, selection, or excerpt. If a work has an assigned catalog number, include the catalog number in the title.
Catalog numbers can be found through imslp. If a piece contains 21 or more movements or sections, use Arabic numerals in the form No. Use colons to separate the title of a work from the title of a movement or selection, for example:. Track titles should be treated consistently. If an album includes information for one title, the information should be included for all other titles.
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Versions, Arrangements, and Transcriptions. If a work has been altered from the original composition, this must be noted at the end of the title. The track title for a selection from an opera should start with the name of the opera, followed by a colon, followed by the selection title.
For recordings of a complete opera, include act and scene information after the opera title but before the colon and selection title. One-act operas which are through-composed are excluded from this rule. For example, if an album of opera selections includes character information for one title, the information should be included for all other titles.
All language-casing rules in this style guide also apply to western classical music content, even for titles that contain more than one language. Compilations featuring both non-classical songs as well as standard classical works which are marketed towards a non-classical audience. Artist Roles for Classical-Crossover Content. The same rules regarding composers and primary artists apply to classical crossover albums.
Track titles for Classical-Crossover genre content can start with the selection, movement, or popular title of a work. Major work titles and catalog numbers must still be included, but may be presented at the end of the title within parentheses. Only use this relaxed formatting on classical-crossover albums.
Key Information. For information on accepted casing and spelling of keys, see Table 2: Classical Keys. If grouping songs together as a work, such as a concerto or symphony, at least two songs must be included in the work. Do not group incomplete selections from a larger piece of music together as a work.http://libertyinsurancebrokers.org/plugins/hitokiki/2890.php
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Additional Information in Titles. Any additional information, such as translations, version or edition information, or arrangement credits, must be placed within parentheses at the end of the track title. Classical Abbreviations. For accepted abbreviations of classical works, see Table 1: Standard Classical Abbreviations. Outside References. Artist Names. Standard artist names and spellings must be used. For additional artist rules for all content, see section 2.
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All music directors must be listed. For soundtrack albums, music directors should be listed twice at the album level: as a Performer Primary and as a Composer Not Primary. At the track level, the music director must be listed as Composer Not Primary. For Indian Classical albums, the music director must be listed with the tracks as Composer Not Primary. If the album contains selections of unknown authorship, such as folk songs, chants, or devotionals, use Anonymous or Traditional as the composer.
Primary Performer Roles. All the main performing artists must be listed as Performer Primary on each track. The composers of soundtracks should be listed as Primary at the album level. Singers should be listed as Performers Primary at the track level. For non-soundtrack albums, only singers should be listed as Performer Primary at the album and the track level. Featuring Performer Roles. Artists, actors, commentators, and so on, can be listed with the Featuring role Not Primary for tracks with dialog or spoken word. Actors who do not perform on the track should not be listed.
For more information, see section 2. All participants listed on the cover art must be included in the metadata with their appropriate roles. Indian Genres. Indian music must have at least one Indian genre or Indian sub-genre for the album Primary or Secondary, as applicable. The music-specific genre should be Primary for Indian pop, Indian folk, Indian classical, devotional and spiritual, Sufi, and Ghazals albums.
If a secondary genre is required, it is included in the examples below. Soundtrack Albums. As noted in Music Directors , soundtrack album music directors must be listed as Composer and Performer Primary at the album level. Music directors for the individual tracks should be listed in the Composer role at the track level. Soundtrack Albums with Multiple Music Directors. All music directors must be listed as Performer Primary and as Composer at the album level.
Music directors for the individual tracks should be listed as Composer at the track level. Compilations of Soundtracks. Albums containing tracks from multiple movies must specify the movie in the track titles. Compilations for one Singer or Composer. Albums with up to three primary performers singers or composers must list the primary performers at the album level.
One Track Singles from Soundtracks. Title Version Spelling and Abbreviation. Standard spellings with no abbreviations should be used for track title version information. For more information, see section 3. Dialog, Instrumental, and Remix Title Versions.
Dialog such as songs with dialogs from an original motion picture , instrumental, and remix versions must include the track title version information. Soundtrack remixes should not include the movie titles if the track is not from the original soundtrack. Indian Classical Artist Roles. For Indian Classical Albums, the main performers must be listed as Artist Primary at the album and track level.
Artist listings must include all relevant artists and contributors to a given song or album. The accompanists and percussionists should be Primary on the track level only. For Jugalbandi albums all the artists should be listed as Primary performers on the album and the tracks. Composers should be in the Composer role only. Indian Classical Genres.